rolanni: (readbooks from furriboots)
[personal profile] rolanni
Some While Back, I read an interview, it may have been, with an author who writes adult post-apocalyptic SF and also YA post-apocalyptic SF.

The single comment that stuck with me from this interview was that the author worked to make sure the YA work had a happy ending, because young readers deserved hope.

The implicit statement -- I don't remember at this remove if it was explicit -- being that adult readers don't deserve a happy ending.

Discuss.

Date: 2010-11-11 07:21 pm (UTC)
From: [identity profile] aldersprig.livejournal.com
Hrmm.

Everyone deserves hope. I think the YA times are some of the hardest in anyone's life, so it may be that desire to say "look, things can get better" to teens that prompts that feeling.

It may be a belief that older readers are more cynical. I know happy endings have to be well done for me to not go, well, that was trite and facile when I'm done. On the other hand, there's an entire genre that banks on the "happily ever after" for adults (romance).

Date: 2010-11-11 08:37 pm (UTC)
eseme: (Default)
From: [personal profile] eseme
YA times are really rough, and I can definitely agree that hope at that time is an important thing.

Interestingly, there is an author, wildly popular among teen girls, who exclusively writes books about people dying. So there's another trend there too. Ah, Lurlene McDaniel.
http://www.amazon.com/Lurlene-McDaniel/e/B000AP7LGG/ref=sr_ntt_srch_lnk_1?qid=1289507715&sr=1-1

Oh, and I found the original piece [livejournal.com profile] rolanni was thinking of, if you want to see it. Links below.

Date: 2010-11-11 08:43 pm (UTC)
From: [identity profile] aldersprig.livejournal.com
Oh, oh man, the VC Andrews stuff! Gave me nightmares... no happy endings there.

Hope is important now, too; I notice my tastes in RP and in reading very depending on how things are going IRL.

Date: 2010-11-11 08:56 pm (UTC)
eseme: (Default)
From: [personal profile] eseme
I never tried VC Andrews for the vibe it gave me.

And I don't get the Lurlene McDaniel stuff either - all of them are romances where one half of the teenage couple has a terminal disease or something. But some teen girls love it.

I'll agree that my reading tastes also cycle with my moods, how things are going in my life, and the state of the world in general. I've been reading a lot more upbeat, positive stuff, or romance, sine the economy tanked. Oddly, I am getting rather bunt out on the paranormal romance (there's a lot of world-ending stuff in many of them, so that may be it) - I may have to turn to science fiction based romance or something.

Date: 2010-11-11 09:10 pm (UTC)
From: [identity profile] aldersprig.livejournal.com
Lyrics: http://www.lyricsera.com/604950-lyric-THE+BAND+PERRY-If+I+Die+Young.html

I don't get it, but I think there's a certain romance to funerals, weddings and funerals and never growing old.

Date: 2010-11-11 09:53 pm (UTC)
eseme: (Default)
From: [personal profile] eseme
I also don't get it. But yes, it does seem to be popular.

Date: 2010-11-12 12:50 am (UTC)
From: [identity profile] attilathepbnun.livejournal.com
Actually, there are a few Lurlene McDaniel books where the main characters do get to survive! Though it's true that someone usually dies ... I think those sorts of books are so popular because of the my-life-isn't-so-bad phenomenon ---'I may have a rotten life but at least I'm not dying of leukemia-murdered by a serial killer/etc.
That said, I much prefer happy endings, myself

Date: 2010-11-12 12:52 am (UTC)
eseme: (Default)
From: [personal profile] eseme
Thanks! That's good to know. The last library I worked had had a bunch of them, and from what I could tell, they all had romance ending in death.

And I can see the "at least it's not me" thinking.

Date: 2010-11-12 08:54 am (UTC)
From: [identity profile] keristor.livejournal.com
It's not a new thing, a lot of Victorian literature had a similar thing. There was (and possibly still is) a feeling that "true love" is never consummated and is made more 'pure' by one of them dying (for that matter, look at Romeo and Juliet, who were held up as an ideal of 'romantic' love for dying rather than as blithering idiots for not running away and saying to hell with their families). I was certainly exposed to that as a teenager in England in the early 70s, that the 'purest' love is unrequited preferably by causes out of anyone's control (like death).

It may also be connected with the fashion for "teenage angst[1]" and the 'goth' culture which seems to glorify being miserable.

[1] Interestingly, the German meaning of 'angst' is 'fear', rather than the now-common English one of depression, despair, being miserable, etc.

Date: 2010-11-12 06:43 am (UTC)
From: [identity profile] houseboatonstyx.livejournal.com
There's also the practical factor that adults have many more titles to choose from and more resources to get them, so if they want happy or hopeful endings they can more easily find books that have them.

Hope Shmope

Date: 2010-11-11 07:38 pm (UTC)
From: [identity profile] od-mind.livejournal.com
I would say that young readers deserve honesty, which includes both hope and Bad Stuff Happens. I haven't met any young readers who found (say) Frodo's fate in tLotR to be either unrealistic or crushing of hope.

That said, I can see wanting a character that you expect your young readers to identify strongly with to end up in a place from which it is possible to go on. Sam, as opposed to Frodo (perhaps).

Date: 2010-11-11 07:47 pm (UTC)
From: [identity profile] shana.livejournal.com
Authors who don't give me hope don't get my money.

Unfortunately, there are many people who have higher doom-and-gloom tolerances than I do.

Date: 2010-11-11 08:04 pm (UTC)
From: [identity profile] kalimeg.livejournal.com
I think it's not "don't deserve a happy ending" so much as adults are more equipped to handle uncertainty or sadness. Some books, like John Brunner's The Sheep Look Up would be truly bizarre with a "happy" ending.

I'm in favor of happy endings, but I have read books with other kinds of endings that were well done.

Date: 2010-11-11 08:08 pm (UTC)
From: [identity profile] tuftears.livejournal.com
Well, I think there's a distinction between unrealistically happy and realistically happy. Say, heroine falls in love with nice guy, nice guy bites it, but the war is won because of him. Heroine mourns. Maybe too depressing for YA but acceptable for an adult audience?

Date: 2010-11-11 08:18 pm (UTC)
From: [identity profile] isabellag.livejournal.com
I believe this is part of the newish trend towards 'protecting' children from the realities of life, viz, that not everything has a happy ending for everybody. This is reflected in children's parties, where every child gets a present, in games where everybody gets to win, competitions where there are 'first winner, second winner' and so on. Completely unrealistic - YA fiction should reflect the same world trends as Adult fiction, because, after all, YA readers grow up to be Adult readers. I, for one, would be extremely irritated if everything I read had a happy ending, because the world is not sugar-coated.

Date: 2010-11-11 08:20 pm (UTC)
eseme: (Default)
From: [personal profile] eseme
You're thinking of Paolo Bacigalupi, whose book Windup Girl just won the Hugo and Nebula (and is for adults). He also wrote Ship Breaker for teens, and I remember those comments.

It took a bit of digging - it turns out it was not an interview, but his Big Idea guest post on John Scalzi's Whatever blog. So folks who want to original statements can go here:
http://whatever.scalzi.com/2010/05/20/the-big-idea-paolo-bacigalupi-2/

And another good interview, in which Paolo talks about genre work being compared to literature is here:
http://techland.com/2010/09/27/paolo-bacigalupi-this-is-what-it-takes-to-write-a-novel/

I think his points are interesting. I think adults deserve hope too, but I'm an optimist. So that isn't a surprising thing.

Date: 2010-11-11 09:50 pm (UTC)
From: [identity profile] rolanni.livejournal.com
That was it!

Thanks for doing the legwork.

Date: 2010-11-11 10:01 pm (UTC)
eseme: (Default)
From: [personal profile] eseme
You're welcome. It sounded familiar, so I knew i'd read it too.

Librarians like this sort of hunt.

Date: 2010-11-12 08:13 am (UTC)
From: [identity profile] mbarker.livejournal.com
Here's a quote from the first post...

"I mostly won’t write an upbeat or hopeful story for adults, because we so clearly don’t deserve it, but for young people, who haven’t yet started screwing things up, I wanted to at least provide the possibility of something better. A window into a better future, so to speak." That's pretty explicit that adult readers don't deserve a happy ending.

Which makes me wonder what he thinks a story is for? Polemical beatings? Why would people read that?

Date: 2010-11-12 08:59 am (UTC)
From: [identity profile] keristor.livejournal.com
I agree. Adults "don't deserve" a happy ending? Perhaps not (would any of us really want to get what we 'deserve', the bad as well as the good?) but as you say why would anyone buy the book? I dunno, some people do seem to like movies and books where Everyone Dies, but as far as I'm concerned if I want to get depressed I can just read or watch the news, fiction is supposed to make me less suicidal not more.

Date: 2010-11-12 08:29 pm (UTC)
eseme: (Default)
From: [personal profile] eseme
I'd agree. Paolo Bacigalupi definitely has a very narrow view of adults.

Me, I read for fun...

Date: 2010-11-11 08:39 pm (UTC)
From: [identity profile] cailleuch.livejournal.com
Last time I looked this was not a Safe World. I think that honesty is best. Life is what it is and should be presented as such, sometimes good and sometimes not. I listen to people talking about all they have done to make everything easy for their children and in some ways I don't think they are doing the kids any favors. Literature is the same. Whether the world is real or imagined, it sometimes comes with warts and YA need to know about the good and the bad.

Date: 2010-11-12 12:46 am (UTC)
ext_252118: (Default)
From: [identity profile] berneynator.livejournal.com
That's true, but adolescents are learning about the world from other sources than just their reading. I'm just out of it myself, and I like happy endings, but I agree that sometimes that doesn't fit the rest of the book. Of course, for many readers, including myself, reading is an escape from everyday life - and it doesn't have to be realistically depressing. Heck, we're reading sci-fi and fantasy- it's not realistic! It's not supposed to be! Certainly it can teach, but I don't think it should</> be just like everyday life.

Discussion

Date: 2010-11-11 09:50 pm (UTC)
From: [identity profile] kalilama.livejournal.com
I'm with slrose on this.

I'm either an optimistic cynic or a cynical optimist, and I like things to resolve in a positive direction. Not treacly, but with hope.

Date: 2010-11-11 10:09 pm (UTC)
From: [identity profile] drammar.livejournal.com
Certainly all are worthy of having hope, no matter their ages. I do hope that adults may be better able to find hope in the midst of despair than younger people (indeed that ability may be part of a definition of adulthood).

I prefer endings that are well resolved, and realistic to the story line. Happy doesn't mean much if the ending doesn't fit within the world frame, nor does non-happy get my vote when it is grimness just for the sake of grimness.

Happy Ending

Date: 2010-11-12 02:02 am (UTC)
From: (Anonymous)
Deserve or need? We are supposed to be adults and we are supposed to know that life does not automatically give "happy ever afters."

Date: 2010-11-12 02:20 am (UTC)
From: [identity profile] hapaxnym.livejournal.com
Meh. I'm all about hope.

I don't get people who say that "happy endings aren't realistic." *Fiction* isn't real life. Life doesn't come with a narrative arc. People do not speak in dialog. (Srsly. I spent several of my Kelly Girl months transcribing tapes of meetings.)

If you're going to impose the shape of "story" upon a sequence of events, you've already abandoned realism.

Oh, and in re the Lurlene McDaniel type of tearjerker -- my adolescent psych class contended that the teenage brain is wired to experience heightened extreme emotions, whether they are happiness, anger, grief, whatever, and can come to crave the charge they give. In a very real sense, "it's a phase they'll grow out of."

Date: 2010-11-12 03:04 am (UTC)
From: [identity profile] eoma-p.livejournal.com
I don't agree that only happy endings are hopeful. I've been reading the "Emberverse" novels by Stirling, and the first trilogy ends with the death of major character that I was really invested in. That's not a happy ending.

However, it was a hopeful ending because he died battling the Evil Overlord and this Made the World a Safer Place.

Date: 2010-11-12 03:35 am (UTC)
From: [identity profile] muirecan.livejournal.com
I prefer my books with hope at the end and if it is happy that is nice to. Doesn't mean I won't read a depressing book or a book with an unhappy ending but those tend to be few and far between in my collection because I don't wallow in them either.

I think to many people persue the antihero everything must be dark and horrible. Feh I read my books to escape not to make myself more depressed. Yes sometimes that kind of book is good but I would rather have a book where the hero goes through hell and then emerges victorious and if he/she gets the girl/guy at the end that is nice too. ;)

The author doesn't even have to drag the hero through hell for me to enjoy the story. Just tell a good story with the hero in it such a Nathan Lowell's Solar Clipper series out in free podcast format. There we follow the main character from new crew member to captain. No massive battles or any such just the challenges of his life. Yet If find the books fascinating and enjoy them a lot. So again I prefer books that uplift the human spirit rather than drag it down and stomp all over it.

Date: 2010-11-12 03:37 am (UTC)
From: [identity profile] muirecan.livejournal.com
::grumble:: why can I never see the hideous typos in my posts until they are up and I can't edit them to fix them.

::facepalm::

Date: 2010-11-12 09:07 am (UTC)
From: [identity profile] keristor.livejournal.com
Because you wrote it, so in reading it before posting you tend to read what you meant rather than what is there. Once it's posted it is usually at least in a different font and layout, and there is often a time delay, so you read it 'fresh' and see the misteaks.

Everyone does it. This is why authors (and composers, and artists, and programmers, etc.) should never be the only people who inspect their work before publication, and certainly not too soon after creating it. Editors and other people will detect a lot of errors the creator will miss.

(I agree, it's really annoying when it happens. BTW, the typing error above was intentional, it's an internet law that anything talking about (especially criticising) spelling etc. must also have an error...)

Date: 2010-11-12 05:27 am (UTC)
From: [identity profile] aspidites.livejournal.com
Hmm. As a teen, I didn't insist on happy endings, but I preferred books with endings that were open to hope. I still do. I don't insist that all my reads be hopeful - if an author puts out one book with a completely depressing finish, it won't put me off them, but as the number of books in the same vein goes up, the likelihood that I'll buy more of them goes down. I'm not pathological enough to want to spend all my reading time depressed.

Anyway, I think that young adults are perfectly able to handle unhappy endings - in fact, I think it's good for them to occasionally see the world without the Disney filters on, and see that things not working out the way they'd planned is not the end of the world. Sometimes it's an opportunity!

Happy Ending. Unhappy Ending?

Date: 2010-11-12 07:05 am (UTC)
From: [identity profile] claire774.livejournal.com
I prefer the happy ending. I read to feel better not worse. I've had plenty of unhappy endings in my own life. I like Sci Fi and Fantasy because the tradition seems to be in these genres to present some kind of helpful message and/or inspiration for young and old. I've been reading these since I could read just about. I still have ancient copies of Heinlein's early books for kids like "Between Planets" and "The Rolling Stones". If I wanted tragedy there's plenty out there to read. If books have a sad ending (I'm forced to read those sometimes for book clubs) there's little for me to take away and honestly I don't remember those books very well.

Gus wants a correction. He's not 21 in dog years. He tells me he's gotten to be around 50 actually. Gentlemen don't mind revealing their age after all.
C.

Date: 2010-11-12 02:38 pm (UTC)
From: [identity profile] saruby.livejournal.com
Actually, I think everyone deserves hope. Having said that, however, I am struck by the fact that my son is reading really depressing literature in high school where there are unhappy endings. The current book is "Of Mice and Men". Before that he had a short story unit in which the happiest story was "Gift of the Magi", preceded by "Lord of the Flies". In fact, my recollection of high school is that I was also required to read books with distinctly depressing endings. This may, in fact, be why "adult" literature (romances, mysteries, most sci-fi and fantasy) have happy endings. Everyone is tired of the unhappy ones. So, I think teens do deserve a few happy endings in their recreational reading, since the required reading is so full of unhappy ones.

Date: 2010-11-12 04:21 pm (UTC)
From: [identity profile] muirecan.livejournal.com
I'm grateful that I didn't have to read those books when I was in High School. [The advantages of a non public education I guess.] Having encountered them repeatedly over the last few years working in classrooms all I can say is that it is amazing anyone wants to read books. These 'literature' books that english classes use probably do more to put people off of reading than anything else I can imagine.

Kid-Lit

Date: 2010-11-12 03:58 pm (UTC)
From: (Anonymous)
I ended up serving as a literary source point for a friend bringing up two daughters. As soon as the girls could handle the material—which was earlier for the first daughter than for the second—most of my recommendations were from SF/Fantasy. We’re talking pre-teen to early-teen, here. Pern was a big hit. So were the Valdemar books.

At one point my friend and I discussed the modern “protect our children”—“no disturbing events or villains” fashion in kid-literature. By comparison, McCaffrey and Lackey offered peeks into the minds of villains who were indeed villainous. Offered some understanding of the thought processes and emotional motivations provoking the human lust for power and/or domination and/or cruelty. Which gave the girls a safe look into the minds of potential human predators. And gave them an early warning that life is not all puppies and butterflies.

My comment at the time was that the Pern and Velgarth books were more realistic than modern kid-lit. Oddly as the term sits on books featuring time traveling dragons and telepathic horses. In psychological terms they are more realistic.

Raymond

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