Iron Kissed (Mercy Thompson #3) Patricia Briggs
Sunday, March 9th, 2008 07:17 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The advertent auditor of this journal will have noticed that I keep a "books read" list. Mostly, this is for my own information, to prove to myself that I am too reading, at least a little. I rarely comment on the books, because I learned when I was working for SFWA that commenting truthfully on novels written by people I know was more likely to get me grief than not, and, thanks to the SFWA job, I know an awful lot of fantasy and science fiction writers.
That said, there was a conversation the other day regarding the third book in Patricia Brigg's Mercedes Thompson series, Iron Kissed. It seems that the excellent
buymeaclue had some issues with the third book, and the question was asked what I thought.
I have not read
buymeaclue's commentary, and don't intend to. What I think is that the [spoilery thing] of which I understand she complains, and its aftermath is handled appropriately and believably for this reader. The book was not a warm and cozy read, but the [spoilery thing] worked on the storytelling level (again) for me. As always, YMMV. If you are a person who believes that fiction must never use violence against women as a "plot device," then you might not want to read this book; it'll only get your politics in an uproar.
What I understand to be a secondary beef regarding the structure of the werewolf pack and the peculiar powers of the pack Alpha -- these things were set up very clearly and maintained consistently from early in the first book. If a reader of the series managed to get to Book Three only then to be offended by the pack social structure, well...sometimes we don't read as carefully as we ought.
That said, there was a conversation the other day regarding the third book in Patricia Brigg's Mercedes Thompson series, Iron Kissed. It seems that the excellent
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I have not read
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What I understand to be a secondary beef regarding the structure of the werewolf pack and the peculiar powers of the pack Alpha -- these things were set up very clearly and maintained consistently from early in the first book. If a reader of the series managed to get to Book Three only then to be offended by the pack social structure, well...sometimes we don't read as carefully as we ought.
no subject
Date: 2008-03-09 11:51 pm (UTC)http://www.sfnovelists.com/2008/03/03/taboo-topics/
I personally thought the rape worked, but it's Phyl Radford that articulated it really well when I first was thinking about it here:
http://difrancis.livejournal.com/152960.html#cutid1
Her point, and one worth making, is that the rape was the only way to crack Mercy's emotional shell and self-reliance.
Personally, I thought the best part of the entire aftermath, was how Ben handled things--it was his understanding and the connection to his past that really added a level of emotional resonance that I wasn't expecting. I thought it was very well done.
Di
no subject
Date: 2008-03-10 12:26 am (UTC)This statement makes me feel physically ill. It reads like a defense of rape - of any rape - as a way of personal growth. As in ... Mercy was too strong. She was too self-reliant. She needed to be taught her place in the grand scheme of things. ...
I disagree totally. She was already coming to realise how much she trusts Adam when things get rough. There was definite progress in their relationship, especially with Samuel acknowledging that he was out of the running.
no subject
Date: 2008-03-10 12:44 am (UTC)See now, I read that as a comment on how we're going to work through a (pretty tricky) characterization. There's a line between Real Life and Fiction. In Real Life, we don't go around raping uppity wimmin to Teach 'Em. Or, if we do, we get twenty to life.
For the story and, arguably, for the character development of the lead character, that violence, in that way, was necessary. In the author's estimation, which, in a novel, Counts.
Fiction can't make Bad Things not happen. What fiction can do...it can teach. As Di mentions, what made this work on a whole 'nother and deeply wonderful level was Ben. Ben explaining what was going on, and connecting with the lead character's pain in a way that, I'm sorry, I've seen very few Real Life people manage for a Real Life rape victim.
So, yanno, what I'm seeing is that the story may have taught somebody something. One person -- and that's worth it.
Just from my own point of view...an author doesn't put her characters through this stuff for fun. It hurts me just as much as it hurts them. There's gotta be a Real Good Reason why I'm willing to put up with so much pain and watch someone I love and respect suffer that pain.
no subject
Date: 2008-03-10 03:42 am (UTC)But as a writer, it's necessary to consider how to put your characters in situations that will cause certain character developments (as Sharon points out). I've read a lot about how people (who agree with you) dislike that scene and don't think it works. I get it too. It does work for me, and like I said, particularly because of the way she handled the aftermath and I think that the next book is going to be a lot more fall out. I don't think Mercy's just bam! over it. I think we're going to see a real struggle for her.
But you see, I think this is less about Adam for me. For me it's more about a lot of what's been coming--who she is, especially in relation to the pack. I think the stuff early on with Honey especially, but some other characters, show that Mercy was riding the fence between belonging (which meant giving up some of her independence--exchanging it for something else, or going alone.) And after the rape, that choice becomes a lot more clear when Ben explains. And I think Mercy does have to choose here. Because in staying, she has to deal with her guilt more (not that she should feel it, but clearly she does), and that makes her character expand any more.
I'm not trying to convince you. The other part of my life is an academic, and what I love is the ability to discuss texts, to see other points of view, to understand the text better. And as I writer, I like to understand your experience as a reader. So take this all for what's it's worth, and if you feel like telling me I'm zonking out of it, well, you can.
Di
no subject
Date: 2008-03-10 09:49 am (UTC)That was what struck me about your initial statement, that "Mercy needed" this to happen in order to develop as a person. Nobody needs this sort of thing to happen.
It wasn't that long ago, historically speaking, that the punishment for the crime of rape was to force the man to marry the victim. Who was being punished, I wonder? That's what I hated about the entire Luke and Laura storyline on that soap opera way back when. It appeared to glorify and romanticize the crime. (I don't watch soap operas. I don't like to be addicted to anything except coffee and reading.) And I stopped reading the Thomas Coventer series when he began his whining self-serving justifications for the sexual assault on the woman in the other world.
Personally, I thought that Iron-kissed was wonderfully well-written, that the matter was masterfully handled, both the initial assault and the aftermath. The series is an action one; it contains a lot of fighting and, sadly, that is a very traditional weapon wielded against women. It will be interesting to see how Mercy deals with the aftermath - and, again, in my opinion, we haven't even begun to see the aftermath.
no subject
Date: 2008-03-10 02:44 pm (UTC)Which brings me back to that 'needed' thing. As a writer, I thought about what could be done to Mercy to really make her vulnerable on an emotional level, and I don't know that anything else would have. I mean, she's used to a lot of bad things happening to people she knows and cares about (Jessie, Adam for two) and yet she's able to deal with those things. That fear and that pain. But when it happens to her, and she's made to participate, it puts her out of control of herself--she can't cope with it, probably for the first time in the series.
Have you read the Anna and Charles story in On the Prowl? I can't wait to see how Patty deals with the complexities of those two. And you're right. I don't think we've begun to see the aftermath. I think she thinks she's dealt with it, but I don't think she has. It's going to come back and kick her when she least expects it, and more than once.
Di
phew
Date: 2008-03-10 12:15 am (UTC)The 'thing' offended me, but thats what that thing does to real humans, it makes you mad.
I love the story and the characters, I truly enjoyed everything about these books. They arent epic but they are very ine reads
Glad you have enjoyed them as well
;)
no subject
Date: 2008-03-10 12:16 am (UTC)no subject
Date: 2008-03-10 12:27 am (UTC)no subject
Date: 2008-03-10 12:53 am (UTC)And hasn't Mercy been bitching (quite literally) about the pack structure since book one? She speaks extensively about how she has to finagle her way around all these controlling males, because they have all the power. That's been very clearly stated.
I like them. I like Mercy, who has her faults, but also has her strengths.
no subject
Date: 2008-03-10 03:17 am (UTC)no subject
Date: 2008-03-10 01:19 am (UTC)Patti did a good job and I know she agonized over portraying this incident. But it works and jumpstarts some character growth issues that otherwise might have bogged down several books.
no subject
Date: 2008-03-10 02:23 am (UTC)If the main character had been male instead of female, would the author still have decided that a rape was the only plot device to bring him out of his shell?
If the answer to that is yes, then the use of rape as a plot device is justified, but if the answer would be no, then I have to ask: if the desired/necessary character development could be achieved in different ways for a male, why were those different ways not available for a female protagonist?
no subject
Date: 2008-03-10 03:20 am (UTC)no subject
Date: 2008-03-10 02:27 am (UTC)can't wait for the book.
A learning experience for Mercy and the reader
Date: 2008-03-10 03:09 am (UTC)Rape can not be glossed over by snide or pious platitudes. Neither, she asked for it (the victims never do) or get over it, life goes on (its not that easily gotten over) really address the trauma. Those out side the incident need to understand that the victim is hurting in ways that may or may not be obvious. No matter how strong they seem thoughtful and caring help is needed.
Briggs makes us see that because the story demanded it and we needed to understand.
Good books do that.
no subject
Date: 2008-03-10 03:14 am (UTC)http://difrancis.livejournal.com/158462.html
very interesting
Date: 2008-03-10 01:34 pm (UTC)I'm glad to know that I understood Mercy and what happened in Iron Kissed closer to what the author intended. An awful, dreadful experience, but one that she fought and can overcome.
Looking forward to the next installment.
Kristen B.
Re: very interesting
Date: 2008-03-10 02:46 pm (UTC)Di
Re: very interesting
Date: 2008-03-10 02:57 pm (UTC)KB
no subject
Date: 2008-03-14 06:22 pm (UTC)But I guess I would like to ask you to refrain from describing my problems with the book if you haven't read my post about it? I appreciate the "excellent" description, but my positions are getting a bit mischaracterized here, and it's not really fair to dub me a careless reader on the basis of something that I didn't actually say.
no subject
Date: 2008-03-14 07:39 pm (UTC)Thank you for your support.
But I guess I would like to ask you to refrain from describing my problems with the book if you haven't read my post about it?
I note that your commentary was pointed to in my post and in the original post from the person who thought the discussion in your blog interesting, so auditors of this blog had immediate access to what you actually did say -- whereupon they could decide if I was misrepresenting you. As you can see from your conversation with
no subject
Date: 2008-03-14 07:50 pm (UTC)I still can't help feeling it's mighty unfair to describe and judge something without being willing to have a look at it for yourself.
But it is, of course, your journal, and you can do whatever you like. I'll retire from your space now.